“JELLY” is the type of creature film you get from a female filmmaker. After “Tiger Sea,” Suki Kaiser came back with a psychedelic, sci-fi, stoner film. As→
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This feature film look book was an uncommon set up for me because I usually work on pitches that have not been greenlit. This one, however, is→
This “layout” pitch deck is for an hour-long television drama. A layout deck means that it’s designed with images as they are shot and relies heavily on→
This “Tiger Sea” feature film pitch deck is a female-driven action movie with lots of suspense. I like how Suki Kaiser, the writer, describes the film as→
“The Village” is a one-hour, dramatic TV series. The show presents how Greenwich Village changed from a traditional Italian neighborhood to the center of the 1960s cultural revolution.
This TV Series Show Bible for “Lovejoy” is longer and more content-heavy than a regular pitch deck. To illustrate, a Show Bible or Series Bible has way→
On this military biopic pitch deck, we worked under a strict NDA with the director, who shall remain nameless. Therefore, we changed the title, images, and text→
You may remember, I created the pitch deck for “Don’t Let Go.” After that writer/director David Gleeson, best known as the writer of “Tolkien,” secured financing for his→
This film financing pitch deck secured funding at the Cannes Film Festival just weeks after we finished it. Then David Gleason, the director, and his wife, producer Nathalie Lichtenthaeler,→
When people say, “Admin Assistants run the show,” we couldn’t agree more. A wonderful assistant at Lionsgate, Dana Digiacinto, reached out to us for a 45-page pitch→
This Living Hell key art is at the beginning of the trend to start showing more of the actual gore instead of just an impression. I feel→
The creative brief for Ocean’s 13 stated that this installment should have an old Vegas brat pack feel. In other words, they wanted it to feel like→
This is the first studio picture from the director of Run Lola Run. I worked on the title treatments and photoshop compositing for these comps. ROLE: Art→
These are a collection of The Place Beyond The Pines title treatments inspired by Ryan Gosling’s character, Luke. The bottom right version I made by combining the→
As much as I would like to make this title treatment so futuristic that it almost seems like a foreign language I know it needs an immediate→
