Increasingly, clients want to design a pitch deck and a series bible simultaneously, and over time, this has morphed into a sort of a pitch deck-series bible→

“JELLY” is the type of creature film you get from a female filmmaker. After “Tiger Sea,” Suki Kaiser came back with a psychedelic, sci-fi, stoner film. As→

This feature film look book was an uncommon set up for me because I usually work on pitches that have not been greenlit. This one, however, is→

This is a letter-size, industry-standard series bible. Most of our decks and a few of our show bibles are 16:9 HD dimensions, but the standard television series→

This “layout” pitch deck is for an hour-long television drama. A layout deck means that it’s designed with images as they are shot and relies heavily on→

With every new TV series pitch deck I work on, I have to get into the world of the show and live there for a bit. So,→

This “Tiger Sea” feature film pitch deck is a female-driven action movie with lots of suspense. I like how Suki Kaiser, the writer, describes the film as→

“The Village” is a one-hour, dramatic TV series. The show presents how Greenwich Village changed from a traditional Italian neighborhood to the center of the 1960s cultural revolution.

This TV Series Show Bible for “Lovejoy” is longer and more content-heavy than a regular pitch deck. To illustrate, a Show Bible or Series Bible has way→

On this military biopic pitch deck, we worked under a strict NDA with the director, who shall remain nameless. Therefore, we changed the title, images, and text→

If you’re following the story of how “DON’T GO” went from a pitch deck to a finished film, then this update’s for you. I was so happy→

You may remember, I created the pitch deck for “Don’t Let Go.” After that writer/director David Gleeson, best known as the writer of “Tolkien,” secured financing for his→

Ola Carson is such a great painter. I am so happy that she worked with David and me on these covers. David took textures from her painting→

I’ve been a huge fan of David Carson since the late 90s. In my office at Ohio State, I had a stack of Ray Gun Magazines within→

This film financing pitch deck secured funding at the Cannes Film Festival just weeks after we finished it. Then David Gleason, the director, and his wife, producer Nathalie Lichtenthaeler,→

When people say, “Admin Assistants run the show,” we couldn’t agree more. A wonderful assistant at Lionsgate, Dana Digiacinto, reached out to us for a 45-page pitch→

One day, out of the blue, I receive a hand-written letter with an 8th grade, African-American girl’s school picture stapled to it. It’s a very sweetly written→

This video edit is from the 2019 Sundance Film Festival. I received a press pass to for my publishing startup, Pandemonium Screenplays. During the day, I shot→

I shot this video interview walking down Main Street in Park City, Utah, with Boots Riley, director of “Sorry to Bother You,” at the Sundance Film Festival.→

Mel Brooks coined the title for Carl Reiner’s book, “Too Busy To Die.” We were feverishly working on getting a few other books out, and Carl told→