This was my delicate take on an otherwise heavy handed period piece.
ROLE: Art Director / Designer
“JELLY” is the type of creature film you get from a female filmmaker. After “Tiger Sea,” Suki Kaiser came back with a psychedelic, sci-fi, stoner film. As→
This “Tiger Sea” feature film pitch deck is a female-driven action movie with lots of suspense. I like how Suki Kaiser, the writer, describes the film as→
“The Village” is a one-hour, dramatic TV series. The show presents how Greenwich Village changed from a traditional Italian neighborhood to the center of the 1960s cultural revolution.
This TV Series Show Bible for “Lovejoy” is longer and more content-heavy than a regular pitch deck. To illustrate, a Show Bible or Series Bible has way→
On this military biopic pitch deck, we worked under a strict NDA with the director, who shall remain nameless. Therefore, we changed the title, images, and text→
If you’re following the story of how “DON’T GO” went from a pitch deck to a finished film, then this update’s for you. I was so happy→
You may remember, I created the pitch deck for “Don’t Let Go.” After that writer/director David Gleeson, best known as the writer of “Tolkien,” secured financing for his→
I’ve been a huge fan of David Carson since the late 90s. In my office at Ohio State, I had a stack of Ray Gun Magazines within→
This film financing pitch deck secured funding at the Cannes Film Festival just weeks after we finished it. Then David Gleason, the director, and his wife, producer Nathalie Lichtenthaeler,→
When people say, “Admin Assistants run the show,” we couldn’t agree more. A wonderful assistant at Lionsgate, Dana Digiacinto, reached out to us for a 45-page pitch→
One day, out of the blue, I receive a hand-written letter with an 8th grade, African-American girl’s school picture stapled to it. It’s a very sweetly written→
This “Game On” Interactive TV Game Show Pitch Deck has a lot of elements from Fortnite and other gaming graphics. This series is an interactive game show→
I was so excited to work with another living icon, Renato Romano, who was in the 1969 version of “The Italian Job”. Historically, I’m a minimalist who→
Five standup comedians get framed for murder and they nearly have to kill their way toward proving their innocence.
We’re cranking out fifteen album covers a week now. My goal is to make the cover art compelling but also to make them look as different from→
I made these Pandemonium Screenplays’ covers for my publishing startup. My company mission is to start everyday people reading screenplays. These covers are to show writers the level→
These album covers are the artwork for the short stories offered by Kelly Abbott‘s digital publishing startup, Great Jones Street. Inspired by the 1973 book “Great Jones→
At Warner Bros., I received a hand-written note for the “Million Dollar Baby” movie poster. A thumbnail sketch with instructions told me to pull images of→
This Living Hell key art is at the beginning of the trend to start showing more of the actual gore instead of just an impression. I feel→
The creative brief for Ocean’s 13 stated that this installment should have an old Vegas brat pack feel. In other words, they wanted it to feel like→